BONEHEAD

In a tumultuous year for me personally and for the world, it was a diamond dark treat to have a new Mo Hayder book – BONEHEAD – published posthumously.

I’ve loved all of Mo’s standalone novels just as I adore her broody, brilliant Jack Caffery series – and BONEHEAD didn’t disappoint. It has some classic Mo tropes. There’s a speculative edge with its urban ghost story of the female Bonehead. Twists that lead the book into unexpected dark alleyways. Nuanced characters who stay with you long after you reach the final page. An ending that feels like an icy finger tracing your spine. A wonderful sense of place and atmosphere with the English village Eastonbirt.

Some graphic scenes that some readers might feel need trigger warnings but Mo’s fans know her books will enter dark places. Believe me, it’s worth the journey into the shadows. BONEHEAD feels wonderfully gothic in places as well as being a police procedural. The writing is excellent. Mo packs so much into a few sentences. A foreword by Karin Slaughter expresses eloquently how Mo was respected by so many writers around the world, and her influence on women writing crime.

Without giving away spoilers, BONEHEAD centres around an urban legend that has frightened teenagers in Eastonbirt for years. The Bonehead, rumoured to be a local gypsy prostitute in the last century, was lured to her death by one of her johns and thrown into a ravine. Her face was eaten by rodents but her body mummified; the john returns frequently to have sex with the corpse. Stay with me. Her spirit haunts the area, luring locals to their death.

A coach bringing teenagers home from a school reunion crashes. Seven are killed and three permanently disabled. One teenager, Alex Mullins, believes she saw the Bonehead standing over her at the time of the crash. Alex becomes a police officer in London but returns to Eastonbirt a couple of years later, unable to let go of what she saw. She tries to track down her surviving school friends to solve the mystery.

I loved every word of BONEHEAD. I was up way past midnight finishing it in an emotional mess. OK, I did skip the dog scene parts as I just can’t go there… I tried to eke it out knowing it’s the final Mo Hayder – unless another shows up in the attic, or if the remaining drafts of her speculative novels (written as Theo Clare) are released.

I’ve written about Clare’s death before and how it affected me HERE. Mo will always be for me the kindest, fascinating, courageous, talented and beautiful-inside-and-out soul. We lost her too young at 59, but her razor-sharp intelligent, extraordinary stories remain. BONEHEAD is a worthy addition to her already impressive legacy. I just wish there was more.

Mo Hayder aka Clare Dunkel born 02 January, 1962 died 27 July, 2021

 

THE BRIDE MARRIED TO AMAZEMENT

Happy Spirit birthday Clare aka Mo Hayder. Shine brightly, beauty. I hope you’re writing up a storm✨Never ✨forgotten.🌹

‘When it’s over, I want to say all my life
‘I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.
When it’s over, I don’t want to wonder
if I have made of my life something particular, and real.
I don’t want to find myself sighing and frightened,
or full of argument.
I don’t want to end up simply having visited this world.
Mary Oliver
(When Death Comes)’

 

 

A BLUE YEAR FAREWELL

2023 was a year the colour of blue for me. The muted silver blue of a Tasmanian sky and sea. I loved being home in July, inhaling Hobart’s salty air, walking familiar streets, knowing I’m close to Antarctica. After years of mountain life it was a week of blue bliss.

It was also a big transitional year for my daughter who started at Sydney University. I wrote (nearly every day). Read (over 62 books). Reading was once again my haven, comfort, my joy this year. If you’re interested in the books I’ve posted them on my Goodreads, Instagram and Author Facebook Page.

I didn’t achieve my personal target of reading more classics but that’s something to aim for in 2024. So grateful for authors, bookstores, libraries including street libraries.

As the world continues to seem more fragmented and volatile I found stability and grace through books.

I continued to write and I am now querying agents. I completed the Curtis Brown Creative Course in Writing a Psychological Thriller with Erin Kelly which I loved and would recommend.

I facilitated Moon Circles for my Mystic Rose Clinic, continued building my Reiki business and did evening care for an elderly lady in the village. We finally staged David’s Ghost Hunting play in January. It wasn’t the best year of my life (hard not to be overwhelmed with the fragmented state of the world) but it was still a year filled with blue. There was much to be grateful for. And I am.

 May 2024 bring you unexpected blessings.

MIDNIGHT COWBOY

Sally Buck: ‘You look real nice, lover boy, real nice. Make your old grandma proud. You’re gonna be the best-looking cowboy in the whole parade.’

From the opening scenes with Jon Voight in his cowboy suit and Stetson leaving his small town to become a male prostitute in New York, Midnight Cowboy is simultaneously sad and beautiful. The atmospheric soundtrack, Harry Nilsson’s Everybody’s Talkin’ transported me back to the ‘70’s. Bob Dylan’s Lay Lady Lay was considered at one time. The opening took me back to coach tours I did around Australia when younger and the disorientating feeling of being on coaches for days with different people coming and going.

Both Voight and the brilliant Dustin Hoffman are perfectly cast as Joe Buck, the Super stud cowboy and Dustin as Ratso – Enrico Salvatore Rizzo,  a cripple who lives like a rat in New York City and who yearns for a better life in Florida.

 

Dustin was fresh from The Graduate (another of my favourite films) and was nearly passed over as being too pretty and short for street-wise Ratso, but thankfully, Dustin won the part by meeting with director, John Schlesinger in a seedy New York bar to prove he could fit in and showed him a waiter working in a diner who was his image of what Ratso would look like if he had been successful. Dustin wasn’t interested in being a film star, he wanted to portray real people and was willing to take risks with his creative choices.

 

Voight is also excellent in his debut role as the damaged, naïve handsome, gum-chewing cowboy who wants to make his fortune by having sex with older New York women (although things don’t run to plan and he eventually has to perform sexual favours for men). It’s in the thankfully brief shocking montages that we understand the trauma in Joe’s past that turned him into the Midnight Cowboy. He’s painful to watch as he struggles to survive in the harsh world he once strutted so fearlessly into.

It’s a film of male friendship, survival, loneliness, desperation, a strange love letter to New York city and the eccentric, flamboyant,  shadowy damaged inhabitants inhabiting her bars and streets. It’s about poverty and people made homeless by development.

Midnight Cowboy came out in 1969 when America was at war with Vietnam and demonstrations were rife. The Manson family had just shocked Hollywood and the world with its sadistic murders. Neil Armstrong was the first man to walk on the moon watched by 650 million people around the world. The times were definitely changing.

It was adapted for screen by Waldo Salt (Truman Capote was one of the writers to turn it down.)

James Leo Herlihy wrote the 1965 novel.

The film won Oscars for Best Director, Best Picture, and Best Adapted Screenplay. It was the first X-rated movie to win an Oscar.  It  also won five BAFTA awards. Both Voight and Hoffman lost out on the Best Actor to John Wayne for his role in True Grit.

 

 

DANGEROUS DEVOTIONS

It was a joy and privilege to be in conversation onstage with local author Ann aka A D Penhall in Katoomba today for the launch of her very clever, gripping crime novel, Dangerous Devotions. 🔪🖤👠Ann and I met many years ago at a Sisters in Crime launch in Melbourne and it was terrific to grill her on stage about the journey of her book and her writing process. We spoke about her writing journey and the bonus of bottom drawer manuscripts.  There was a large engaged audience who even asked questions.
Dangerous Devotions is published through Clan Destine Press 👠👠🔪🖤

DONKEY SKIN

The exquisite 1970s film DONKEY SKIN based on Donkeyskin Charles Perrault’s 1695 french fairytale and directed by Jacques Demy has everything I love in a movie. French fairytales, a very dark underbelly and Jean Cocteau inspired effects with 1970’s surreal touches. Plus, the casting of Jean Marais as the father who wishes to marry his daughter to fufill his dead wife’s wish and beautiful Catherine Deneuve as la Princesse makes it even more of a delight. A perfect Family Movie Night experience. 🌹🌹🌹