#amreading 2017

2017 was a challenging year. It had some shining moments: our January trip to Heron Island and our Easter break in England, but overall it was a frustrating year on several levels for my family. And politically and environmentally everything was bleak.
But even in the bleakest of years, books always provide solace and soul medicine.
Below are the books I read in 2017. They are mainly crime and psychological thrillers – not surprising as I’ve always found crime and mystery to be the ultimate comfort reading. Tana French’s books came in for some re-reading.
I tried to review books as I read them but it wasn’t always possible due to my own writing schedule.

This is not a complete list; I’ve omitted some that I forgot to record at the time.
I really enjoyed all the books below with the exception of one twisty psychological thriller that had the world’s most ridiculous ending – WTFthatending indeed.
I wish you a prosperous and joyous 2018 with books that keep you turning pages way past the witching hour.
Books read in 2017:
1/ The Grown Up by Gillian Flynn
2/ The Life and Times of Miss Jane Marple by Anne Hart
3/ Re-read The Secret Place by Tana French
4/ The Locksmiths Daughter by Karen Brooks
5/  The Forgotten Girls by Sara Blaedel
6/ The Virgin Suicides by Jeffrey Eugenides
7/ Re-read In the Woods by Tana French
8/ Behind Her Eyes by Sara Pinborough
9/ The Anti-Romantic Child by Priscilla Gilman
10/ Hourglass by Dani Shapiro
11/ Re-read The Likeness by Tana French
12/  Knots and Crosses by Ian Rankin
13/ Someone Else’s Skin by Sarah Hilary
14/ Crimson Lake by Candice Fox
15/ After by Nikki Gemmell
16/ The Good People by Hannah Kent
17/ The End of Everything by Megan Abbott
18/ Wimmera by Mark Brandi
19/ The River at Night by Erica Ferencik
20/ The Golden Child by Wendy James
21/ The Doll Funeral by Kate Hamer
22/ You Will Know Me by Megan Abbott
23/ Bury Me Deep by Megan Abbott
24/ Arrowood by Laura McHugh
25/ The Witchfinder’s Sister by Beth Underdown
26/ The Cunning Man by Celia Rees
27/ Re-read Wuthering Heights by Emily Bronte
28/ Hunted by Amanda Holohan
29/ Goodwood by Holly Throsby
30/ Then She Was Gone by Lisa Jewell
31/ Beauty in Thorns by Kate Forsyth
32/ The Vanishing of Audrey Wilde by Eve Chase
33/ Re-read Murder on the Orient Express by Agatha Christie
34/ Did You See Melody? by Sophie Hannah
35/ No Picnic at Hanging Rock by Helen Golic
36/ Beyond the Rock: The Life of Joan Lindsay and the Mystery of Picnic at Hanging Rock by Janelle McCulloch
37/ The Secrets she Keeps by Michael Robotham
38/ Crooked House by Agatha Christie
39/ A Spot of Folly: Ten and a Quarter New Tales of Murder and Mayhem by Ruth Rendell
40/ Sleep No More : Six Murderous Tales by P.D James
41/ Re-read The Sittaford Mystery by Agatha Christie
42/ Re-read 4.50 From Paddington by Agatha Christie
43/ Re-read Endless Night by Agatha Christie
44/ he said she said by Erin Kelly
45/ Re-read  My Cousin Rachel by Daphne du Maurier
46/ The Last Days of Leda Grey by Essie Fox
47/ Dart by Alice Oswald
48/  A Christmas Carol by Charles Dickens

A Spot of Folly

A Spot of Folly (Profile Books, 2017) by Ruth Rendell – Ten and a Quarter New Tales of Murder and Mayhem.
I loved this posthumously published collection. Ruth Rendell (Baroness Rendell of Babergh since her life peerage in 1977) is one of my favourite writers. The stories are mostly psychological domestic crime but a couple have supernatural themes (the chilling Haunting of Shawley Rectory equals M.R.James) and there is even a dystopian story describing the bleak effects of a nuclear war. The ‘Quarter’ story of the title (Never Sleep in a Bed Facing a Mirror) has only three sentences, but every word is a sinister whisper in your brain.
Ruth Rendell in 1978. Image credit: Kenneth Saunders

Ruth Rendell in 1978. Image credit: Kenneth Saunders

Sophie Hannah provides an entertaining and interesting introduction, detailing how her appreciation of Ruth Rendell began.
Ruth Rendell vintage cover
As Sophie Hannah says in her intro: Ruth always knew how imperative it is to hook your reader with a strong opening line. Ruth is famous for her opening line of her 1977 novel, A Judgement in Stone: ‘Eunice Parchman killed the Coverdale family because she could not read or write.’ It takes a confident writer to begin a crime novel with all their cards exposed. A Judgment in Stone remains gripping throughout and is ultimately poignant and believable.
Ruth Rendell quote
Considers these hooks from opening lines of stories in  A Spot of Folly:
‘You won’t believe this, but last week I tried to murder my wife.’   – A Drop Too Much
‘I don’t believe in the supernatural, but just the same, I wouldn’t live in Shawley Rectory.’  – The Haunting of Shawley Rectory
‘I murdered Brenda Goring for what I suppose is the most unusual of motives. She came between me and my wife.’ – The Irony of Hate
Not a word is wasted in A Spot of Folly. For any writer wanting a master class in crafting suspense and crime short stories, this is a perfect book to study. The characters are chilling, or heartbreakingly vulnerable to their fates, but Rendell always creates believable flawed characters. Ruth began writing short stories in the 1950s and admitted a lot of her early attempts were pretty bad but she soon found her power lay in suspense writing.
The stories were published previously in various formats over a long period of time. I hadn’t read any of them before, so it was a treat to connect with Ruth’s work again. I only wish another manuscript of hers would turn up in some attic. Meanwhile I shall continue to hunt down out-of-print copies of her books to re-read and marvel over her skill.
Baroness Rendell of Babergh

Baroness Rendell of Babergh

This is a ‘must’ book for the library of any lover of this talented crime writer. As with a lot of Rendell’s work, the stories seem to bury themselves like a deadly creeper vine into your brain, making you reflect upon them for a long time afterwards.
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Her skill in creating broken, dysfunctional people capable of the most cruel acts is unparalleled. You won’t find shock twists here, as the current publishing trend dictates, but rather more elegant haunting stories that bring some cohesion to the darkness within humanity.