DONKEY SKIN

The exquisite 1970s film DONKEY SKIN based on Donkeyskin Charles Perrault’s 1695 french fairytale and directed by Jacques Demy has everything I love in a movie. French fairytales, a very dark underbelly and Jean Cocteau inspired effects with 1970’s surreal touches. Plus, the casting of Jean Marais as the father who wishes to marry his daughter to fufill his dead wife’s wish and beautiful Catherine Deneuve as la Princesse makes it even more of a delight. A perfect Family Movie Night experience. 🌹🌹🌹

CINDERELLA

 

 

 

For National Poetry Day, a tribute to Anne Sexton and her brilliant poem, “Cinderella” from the book Transformations which I’ve been reading before sleep to guarantee disturbing dreams.

You always read about it:
the plumber with the twelve children
who wins the Irish Sweepstakes.
From toilets to riches.
That story.


Or the nursemaid,
some luscious sweet from Denmark
who captures the oldest son's heart.
from diapers to Dior.
That story.


Or a milkman who serves the wealthy,
eggs, cream, butter, yogurt, milk,
the white truck like an ambulance
who goes into real estate
and makes a pile.
From homogenized to martinis at lunch.


Or the charwoman
who is on the bus when it cracks up
and collects enough from the insurance.
From mops to Bonwit Teller.
That story.


Once
the wife of a rich man was on her deathbed
and she said to her daughter Cinderella:
Be devout. Be good. Then I will smile
down from heaven in the seam of a cloud.
The man took another wife who had
two daughters, pretty enough
but with hearts like blackjacks.
Cinderella was their maid.
She slept on the sooty hearth each night
and walked around looking like Al Jolson.
Her father brought presents home from town,
jewels and gowns for the other women
but the twig of a tree for Cinderella.
She planted that twig on her mother's grave
and it grew to a tree where a white dove sat.
Whenever she wished for anything the dove
would drop it like an egg upon the ground.
The bird is important, my dears, so heed him.


Next came the ball, as you all know.
It was a marriage market.
The prince was looking for a wife.
All but Cinderella were preparing
and gussying up for the event.
Cinderella begged to go too.
Her stepmother threw a dish of lentils
into the cinders and said: Pick them
up in an hour and you shall go.
The white dove brought all his friends;
all the warm wings of the fatherland came,
and picked up the lentils in a jiffy.
No, Cinderella, said the stepmother,
you have no clothes and cannot dance.
That's the way with stepmothers.


Cinderella went to the tree at the grave
and cried forth like a gospel singer:
Mama! Mama! My turtledove,
send me to the prince's ball!
The bird dropped down a golden dress
and delicate little slippers.
Rather a large package for a simple bird.
So she went. Which is no surprise.
Her stepmother and sisters didn't
recognize her without her cinder face
and the prince took her hand on the spot
and danced with no other the whole day.

As nightfall came she thought she'd better
get home. The prince walked her home
and she disappeared into the pigeon house
and although the prince took an axe and broke
it open she was gone. Back to her cinders.
These events repeated themselves for three days.
However on the third day the prince
covered the palace steps with cobbler's wax
and Cinderella's gold shoe stuck upon it.
Now he would find whom the shoe fit
and find his strange dancing girl for keeps.
He went to their house and the two sisters
were delighted because they had lovely feet.
The eldest went into a room to try the slipper on
but her big toe got in the way so she simply
sliced it off and put on the slipper.
The prince rode away with her until the white dove
told him to look at the blood pouring forth.
That is the way with amputations.
They just don't heal up like a wish.
The other sister cut off her heel
but the blood told as blood will.
The prince was getting tired.
He began to feel like a shoe salesman.
But he gave it one last try.
This time Cinderella fit into the shoe
like a love letter into its envelope.

At the wedding ceremony
the two sisters came to curry favor
and the white dove pecked their eyes out.
Two hollow spots were left
like soup spoons.

Cinderella and the prince
lived, they say, happily ever after,
like two dolls in a museum case
never bothered by diapers or dust,
never arguing over the timing of an egg,
never telling the same story twice,
never getting a middle-aged spread,
their darling smiles pasted on for eternity.
Regular Bobbsey Twins.
That story. 

 

THREE HOURS

And You? When will you begin that long journey into yourself?
Rumi (1207-1273)
I’m superstitious when it comes to Rosamund Lupton. Not only is she one of my favourite writers, but after reading Sister, her 2011 bestselling debut thriller, I won The Scarlet Stiletto Award. And so, in true writerly superstitious style, I always re-read one of her enthralling stories when I’m working on a book. A new Rosamund Lupton book is always cause for celebration. She is one author I’ll buy the paperback and then end up purchasing the hardcover as soon as I finish it.
Her current book Three Hours is highly lauded and concerns a school shooting set in rural, snowy Somerset. It sounded like a book I’d love, so on the perfect rainy weekend, I opened it with great anticipation.
Like her previous books, Three Hours is a page-turner, clever and stylishly executed. It filled in my rainy weekend admirably.
And this is what evil does, Neil thinks. It exposes your fear and cowardice, your vulnerability and your fragility, makes you confront your mortality; but it also finds courage and selflessness that amaze Neil. He thinks of white type of a white screen, the poem’s beauty invisible until the background screen is turned black.’
A progressive private school in Somerset in England is besieged by two masked gunmen. Children and staff are barricaded inside classrooms, the library and theatre. In a symbolic scene, books are piled against a door to keep the gunmen out. The identity of the gunmen become known, but the question of whether there is a third gunman remains. The multiple characters are given their separate viewpoints in parallel strands.
They include:
The liberal Headmaster, Matthew Marr, who is critically shot in the beginning of the book, and who recognises the voice of the gunman but is unable to voice who it is.
His heroic Deputy Head, Neil Forbright.
Daphne Epelsteiner, the drama teacher.
Two Syrian Refugees taken in at the school, Rafi, and his younger brother, Basi Bukfari. Both suffer from PTSD. Alone and vulnerable outdoors in the snow seeking his brother, with killers on the loose,  Basi is unable to determine what is real and what is genuine. Rafi and Bafi’s journey to England is memorable it its poignant detail such as Bafi’s shame over bedwetting. The brothers cling to the memory of the kindness of strangers and they are unable to trust the normal authority figures.
Not enough money for her, just him and Basi; ten thousand euros each to go via Italy, the safest route, the people smugglers, said. And oh for fuck’s sake, people are bored of this story, all that tugging misery, and you get fed up with desperate people and he gets that, he really gets that, because he’d rather binge-watch a series on Netflix, or listen to Spotify, or play Xbox or hang out with his friends too, who wouldn’t?’  
Detective Inspector Rose Polstein, a pregnant forensic psychologist whose role it is is to get inside the head of the gunmen in order to prevent the tragedy unfolding rapidly.
Beth Alton, an increasing desperate mother trying to get in touch with her son, Jamie, and her mental communications to him. I really enjoyed this character. Whether her action right at the end is something I could relate or believe in, I’m still thinking about.
Hannah, Rafi’s girlfriend who is left caring for the Headmaster, while trying to locate Rafi.
The book rises in intensity as social media picks up the school crisis and the police try to contain the rippling of it via social media to the world as different countries begin to wake up to the drama. Some of these scenes are fascinating for the research on technology and the experts having to encrypt messages and clues from computers with little time to do so.
There are several issues explored in Three Hours: hate crime, white supremacy, radicalisation, teenage alienation, extremism and refugees. The overriding theme of the book is Love.
‘Love is the most powerful thing there is,’ the headmaster tells his student. ‘The only thing that really matters.’
Come, you spirits
That tend on mortal thoughts, unsex me here
And fill me from the crown to the toe top full
Of direst cruelty; make thick my blood,
Stop up the access and passage to remorse…’
The plot device of using Macbeth (the Syrian refugees have a copy of it from their father, and the school is staging it) works well although I’m still wondering if rehearsals would continue with gunmen at their school. The finale (no spoilers) with the trees, didn’t fully convince me, but visually it’s a spectacular scene.
‘Rafi told her once that for him it isn’t Macbeth and Lady Macbeth who are the frightening characters, but First Murderer, Second Murderer, Third Murderer, men without names; unknown killers in the darkness.’
FIRST WITCH Here I have a pilot’s thumb,
Wrecked as homeward he did come.
THIRD WITCH A drum, a drum;
Macbeth doth come.
‘Oh hellfire, Daphne thinks, the tedious Norwegians have finished and the violence is about to start; a spreading evil that leads to children being murdered and men not being able to walk at night, and the world turning dark even in daylight.’
Like The Quality of Silence, some beautifully evocative writing comes from the poetic description of the landscape adding to the melancholy tension. The landscape becomes its own character:
‘A gust of wind batters the police Range Rover. Out of the window, the snowflakes are thick and frenzied, each one an insubstantial feather, weightless, but massed together they are piling on to trees, fences, hills of grass and ploughed fields. Everything weighted down and smothered; the landscape being suffocated.’
Three Hours is a stylish and absorbing read. It has remained with me after I finished the book and I know I will return to it. It’s a call for tolerance and love. I’d love to see it on the Reading List of all schools as well as on the big screen.  I can’t wait to see what Rosamund Lupton offers next.

author photo: Vicki Knights Photography

‘To be conscious is not to be in time
But only in time can the moment in the rose-garden
The moment in the arbour when the rain beat,
The moment in the draughty church at smokefall
Be remembered; involved with past and future.
Only through time time is conquered.’
T.S. Eliot, ‘Burnt Norton’ . Four Quarters (1936) 

Protection Owl and Keats for Autumn Equinox

 Because it’s World Poetry Day and the Autumn Equinox, here is one of my favourite poems and a protective, mystical Joshua Yeldham owl. I love this artist’s work, which captures the mysterious power and spiritual energy of the Australian bush.

 

To Autumn

John Keats

 

Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
      To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o’er-brimm’d their clammy cells.

Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drows’d with the fume of poppies, while thy hook
      Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.

Where are the songs of spring? Ay, Where are they?
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
   And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
      Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.

Surfing and the Duchess of Death

Honouring International Women’s Day with Agatha Christie. Here she is in 1922 on a global tour where in Africa and Honolulu she became one of the first Britons to learn to surf.

A real achievement for the 20’s when surfing wasn’t considered a sport for ladies and particularly a lady from Agatha’s class. This social more didn’t deter the plucky novelist who wrote in her memoir, ‘Surfing looks perfectly easy. It isn’t. I say no more.’

 

 

And later she said despite the physical pain that surfing was one of the most perfect physical pleasures she had known. May we all challenge our own social mores. 📸 via The Christie Archives and  The Official Agatha Christie Instagram 

DEVOTION

PATTI SMITH

‘There are stacks of notebooks that speak of years of aborted efforts, deflated euphoria, a relentless pacing of the boards. We must write, engaging in a myriad of struggles, as if breaking in a wilful foal. We must write, but not without consistent effort and a measure of sacrifice: to channel the future, to revisit childhood, and to rein in the follies and horrors of the imagination for a pulsating race of readers.’ – from DEVOTION ✨ Happy Birthday Patti Smith. 🌿

PATTI SMITH QUOTE
#pattismith #devotion #whyiwrite#goddess #muse #creativity #inspiration#amreading 

Vale David Cassidy

Inside me is a wall of my pre-teenage bedroom with TV Week posters of David Cassidy, ABBA, Kate Bush, Blondie and Marilyn Monroe.
photo credit: Allan Warren

photo credit: Allan Warren

Like many girls in the 70s, I yearned for the sweet-faced, hip, young David Cassidy, little knowing of the real-life pressures he faced behind the scenes – a dysfunctional childhood and how Cassidymania only brought him despair.
DAVID IN CONCERT
How he retired shortly after a fourteen-year-old girl died of a heart attack in London at White City Stadium in 1974. Six hundred other girls were injured on the same night when they rushed the stage to reach their idol.
DAVID C ASSIDY
He represents the endless summer of the 1970s, a pre-computer age when everything seemed fresher and the world was free to laugh at itself. When I wore bobby dazzler socks and read Archie comics – but sneaked the occasional Stephen King and any other books my parents disapproved of.
DAVID IN LONDON
I didn’t know back then that the Twin Towers in New York would fall and a group called the Taliban were waiting ahead.
That trees would become  friends, that poetry would evolve into something more interesting than was ever taught in school, that international travel would become threatening. That a product called sunblock would replace the vinegar oil we used to burn our skin brown. That I would discover sea-monkeys were a rip-off. That the oceans were filling with plastic and my teenage poster pin-ups would be forgotten in the pressures of mothering and work. That my daughter would  read Archie comics, long for America and laugh over Danny’s wisecracks in the Partridge Family.
In concert in London 1974

In concert in London 1974

I felt sad this week to hear of David’s death – relatively young at 67, a couple of years older than my father when he died. Several girlfriends have described their grief and sense of loss upon hearing the news. We shared our realisations on social media and emails that we haven’t time to fritter on the trivial. The hourglass has turned for us. Trump is the leader of America and David Cassidy is dead.
And to show the Universe likes cosmic balance, David transitioned in the same week as Charles Manson, who only brought to the world pain, darkness and an ego out of control. Manson hungered for fame, which was denied him but given in excess to David Cassidy.
apollo
Manson chose to slither on his belly into whatever waited for him, while David carried gifts of Apollo throughout his life despite the suffering he endured in later years.
photo image: Annie Leibovitz

photo image: Annie Leibovitz

The Times reported David Cassidy in a 1972 interview saying he dreamt of being not famous. His fantasy was to be on an island. The sky is blue, the sun is shining. And I’m smiling, I’m healthy, I’m a family man.
PARTRIDGE FAMILY 1
Janice Turner in her Times column described him as the saddest, most tortured celebrity she ever interviewed. He was never allowed to grow old, and being sensitive, hadn’t coped with fame or his beauty. He retired at 24, burnt out and traumatised by the craziness of fame.
He died surrounded by his family and the people he loved with joy in his heart and free from the pain he had suffered from for so long.
THE PARTRIDGE FAMILY TWO
Vale, David Cassidy. I hope you found your island. And that the sky is eternally blue and the sun forever shines.

Scorpio New Moon and Sylvia Plath

New Moon in Scorpio. 
As a Scorpio, this moon feels powerful, transformative and filled with possibilities. It’s raining heavily in the mountains this weekend: watery, emotional Scorpio weather. Heavy mist brings its usual mysterious atmosphere.
MOON VINTAGE PHOTOS
Another Scorpio who shares my birth date of October 27 is Sylvia Plath. 
Sylvia Plath in Yorkshire September 1956

Sylvia Plath in Yorkshire September 1956

Scorpio is ruled by Pluto, planet of death.
Rebirth, transformation, subconscious and the unknown.
Scorpio the Grey Lizard and Phoenix.
dying is an art
Scorpio – the Seeress. 
SYLVIA
Scorpio rises and rises and rises from its own transformation and death.