Family
A BLUE YEAR FAREWELL
2023 was a year the colour of blue for me. The muted silver blue of a Tasmanian sky and sea. I loved being home in July, inhaling Hobart’s salty air, walking familiar streets, knowing I’m close to Antarctica. After years of mountain life it was a week of blue bliss.
It was also a big transitional year for my daughter who started at Sydney University. I wrote (nearly every day). Read (over 62 books). Reading was once again my haven, comfort, my joy this year. If you’re interested in the books I’ve posted them on my Goodreads, Instagram and Author Facebook Page.
I didn’t achieve my personal target of reading more classics but that’s something to aim for in 2024. So grateful for authors, bookstores, libraries including street libraries.
As the world continues to seem more fragmented and volatile I found stability and grace through books.
I continued to write and I am now querying agents. I completed the Curtis Brown Creative Course in Writing a Psychological Thriller with Erin Kelly which I loved and would recommend.
I facilitated Moon Circles for my Mystic Rose Clinic, continued building my Reiki business and did evening care for an elderly lady in the village. We finally staged David’s Ghost Hunting play in January. It wasn’t the best year of my life (hard not to be overwhelmed with the fragmented state of the world) but it was still a year filled with blue. There was much to be grateful for. And I am.
May 2024 bring you unexpected blessings.
MONSTER
As I write this, Australia is on fire. My family had to evacuate from our Blackheath, Blue Mountains home just before Christmas.
In a long string of unfortunate events, we were left without a working car and it was safer for us to leave with the great fire they call The Monster having entered the Grose Valley frighteningly close to our house.
The Fire Captain at the local station said at an information evening we attended that he’s never seen a fire like this in his decades of fighting fires. The size of two trees combined, it crowns in places and it doesn’t obey the ‘normal’ rules of any fire. A fire christened The Monster by locals.
Like countless others we were packed and prepared to go for days. When you live in bushfire country you prepare early with a suitcase by the door. My daughter’s clothes took up half the suitcase. My own packing (somewhat less glamorous than Joan Didion’s famed packing list):
Tarot Cards,
Reiki Symbols
A notebook, pens
Books – The Clockmaker’s Daughter by Kate Morton (review to come), The Year of Magical Thinking by Joan Didion, Initiated by Amanda Yates Garcia
Photographs of baby Daisy
Ancestor photos
My mother’s wedding ring
Family documents such as Daisy’s medical folders, passports
Daisy’s diabetic equipment and medication
Sunhat
Cosmetics
Toiletries
Bach Flower Essences
Change of clothes for a couple of days
Hanako mist spray
Letters my father wrote to me before he died
The dog’s supplies and lead
The dog carrier
A lock of my father’s hair cut from his head when he died
Christmas plans had to be abandoned. We became addicted checkers of the Fires Near Me app and worried over elderly neighbours and our home.
We felt heartbroken for those who lost their homes. We wept over images of children whose heroic firefighting fathers had died.
We are enraged by a Prime Minister who chose to holiday in Hawaii with his family, and only returned because of public pressure. Then he partied on New Year’s Eve with fireworks in polluted Sydney skies and hosted a garden party with cricketers as people died and Australia was ablaze. The Emergency Minister, David Elliot, also shockingly chose his family holiday during this time of severe crisis. I’ve avoided ever posting anything political before but their actions went beyond political. This country will not forget easily the betrayal of the climate-change denying Liberal Party.
Heartbreakingly, our already fragile Koala population was decimated at the time of writing by thirty per cent. And a HORRENDOUS over a BILLION animals killed. 28 people have died. Over 2000 houses destroyed. An area four times the size of the Amazon Rainforest burnt.
The heavy plume of smoke choking Sydney for weeks caused record spikes in hospital admissions. When I travelled down to Sydney with my daughter, I was shocked by how polluted the air was. Sydneysiders in facemasks. An oppressive feeling in city streets. It felt as if I’d entered a science fiction novel, so terribly wrong and tilted.
Near where we were staying, the beach was packed with thankfully no smoke in the air. We walked the beach twice daily, feeling like aliens in this culture of bronzed people on jet-skis.
Women in hijabs ran on beaches with their small children. Palm trees waved their fronds against an unnatural salmon-coloured sky. We collected bag after bag of plastic and rubbish, hoping it would inspire others to do the same.
At night I listened to hoons in their cars. I constantly checked the Fires Near Me app before falling into a restless sleep. I would wake at 3am and check the app again to see if the flames had reached our street.
It was not the Christmas we had planned but we had a roof over our heads and a beach a short walk away.
I followed images of exhausted RFS service people. Blackened faces, their endurance stretched to the limit. Unforgettable images of wild koalas allowing Firies to give them water. A devastated farmer forced to shoot his scorched stock. A kangaroo found in a swimming pool, desperate for water. A Firie describing koalas screaming as their trees burned. Friends on social media begged for people not to share images of burnt koalas but I couldn’t let those last screams go unheard. I couldn’t look away.
The Firies, who sacrificed employment to fight fires unpaid. Several lost their own home while they fought to save a stranger’s. Some even had to take out loans to cover their mortgages. I marvelled over the goodness and the valiant nobility of these warriors who face fires bigger than two tall trees.
Australia feels tilted, shaking. White ash blazing us into a scorching and volatile dead world. It feels as if a doorway has closed.
Bluebells, Stone Circles and Haunted Woods
We have spent Easter taking our twelve-year-old daughter to England for the first time. I’ve returned with bluebell fields, stone circles, wishing trees, blue skies, gorse and spring flowers bursting within me. And, an idea for another book, which hopefully I’ll be able to start soon.
England always feels as if I’m returning home. My ancestor Adam Pennicott was sent to Tasmania as a convict (after time served at dreaded Bermuda penal colony). I always feel emotional returning to England. Apart from the fact that the country is part of my DNA, I grew up on a steady diet of English culture from Thames TV shows and many English books and magazines, in particular, Enid Blyton books, and so England always does feel (as a fellow writer, also on holidays in England, said) like the ‘Mother Country’. I had to to drag my daughter (a product of a more American-influenced childhood) home. She was just as emotional about having to leave as her Anglophile mother.
This trip was especially magical. Daisy is a huge Harry Potter fan, and we toured the Warner Bros studio, spending seven hours marvelling over the talent behind the scenes of the HP movies.
I also managed to procure tickets to The Cursed Child parts One and Two, which is booked out until 2018. I just rocked up to the box office and asked the magical-looking ticket-seller if there was any chance of tickets (I feel forever grateful to this man; in my mind, he will be forever magical). By some synchronistic timing – read MIRACLE – someone had returned three tickets (for both parts, and on the only day we could attend) MOMENTS beforehand. Normally people queue in anticipation of any returned tickets on the day or vie for them online. The expression on my daughter’ s face when I walked out saying I had tickets for both shows was unforgettable.
I’d been working on manifesting that one from Australia for awhile. It was one of those Charlie wins the ticket to the Chocolate Factory moments.
I’ve vowed to #keepthesecrets but the show itself is incredible.
The audience were all on their feet, cheering at the end to give a well-deserved standing ovation to the cast. My friend at the box-office said the show will be around for a very long time, so if you’re planning a trip to the UK, try to see it!
Equally as magical was The Lost Gardens of Heligan. I’ve always longed to tiptoe past the Sleeping Giants and see the walled gardens of this secret garden. Seeing it in Spring was beautiful but I suspect Winter or any of the seasons would be perfect.
We returned to Boscastle in Cornwall and I spent many happy hours in The Witchcraft Museum. I love this unique Museum for its vast, informative collection of British Esoteric objects and Folklore.
Boscastle is my spiritual home in England. I feel a deep affinity to the Cornish sea and landscape and there is something enchanted about that village! We’ve had mystical experiences with toads and people in its twisted, narrow laneways. It’s the sort of village where celebrities like Johnny Depp visit the Witchcraft Museum, without fuss and everybody is treated equally. It was in Boscastle that I heard the strong siren-call of another book. This one is a mythical fantasy which should please the readers who still ask if I ever intend to do another fantasy book. I’ve always believed that fantastical books call you when the time is right, and an idea has been nagging at me since Cornwall, although an early idea had come to me in London as well.
But I also love the moors and I really enjoyed visiting Dartmoor for the first time, to make a pilgrimage to mysterious Wistman’s Wood, a prehistoric woodland, one of Britain’s oldest oak groves, where Druids hold sacred rituals and there are legends about hounds haunting the moors and other eerie tales. Despite its reputation of being one of Dartmoor’s most haunted places, I found Wistman’s Woods a peaceful place and I even did my Transcendental Meditation on a large rock in the middle of the grove. Being amongst the gnarled, dwarf oak trees and large stones was atmospheric. I loved our long walk across the moors with the bright gorse. It reminded me of my childhood in the midlands of Tasmania with the spectacular views. I could hear Emily Bronte in my mind.
No Coward Soul Is Mine
BY EMILY BRONTË
No coward soul is mine
No trembler in the world’s storm-troubled sphere
I see Heaven’s glories shine
And Faith shines equal arming me from Fear
O God within my breast
Almighty ever-present Deity
Life, that in me hast rest,
As I Undying Life, have power in Thee
Vain are the thousand creeds
That move men’s hearts, unutterably vain,
Worthless as withered weeds
Or idlest froth amid the boundless main
To waken doubt in one
Holding so fast by thy infinity,
So surely anchored on
The steadfast rock of Immortality.
With wide-embracing love
Thy spirit animates eternal years
Pervades and broods above,
Changes, sustains, dissolves, creates and rears
Though earth and moon were gone
And suns and universes ceased to be
And Thou wert left alone
Every Existence would exist in thee
There is not room for Death
Nor atom that his might could render void
Since thou art Being and Breath
And what thou art may never be destroyed.
Two weeks felt like two months as we experienced so much. I shall upload a few albums on my personal page on Facebook of some the places we visited and I hope to write here about some of the highlights relating to my work, including a special day at Agatha Christie’s holiday home in Greenway. I’ve posted a handful of photos on my Instagram and I shall also be uploading albums to my personal Facebook page. So please connect with me, or friend me there, if you’re interested.
There’s only one cure for my sadness about such a special holiday being over and that’s to throw myself back into my writing. And begin manifesting the next.
Boscastle, and ancient Wishing Tree in Avebury, I hope it won’t be too long before the path reunites us.
Don’t forget to sign up for my newsletter if you are interested in my New Moon musings. I haven’t been sending a lot lately as with this Taurus New Moon, I’ve been recovering from all the excitement of my trip. And so I won’t be flooding your inbox, but I do plan to send out my New Moon musings once I settle back in.
Love from Above the Clouds,
Josephine xx
Magicians and Hermits
Swans, Secrets and Shadows
It is the school holidays. I’m the first awake as my family were all up late last night. My eleven-year-old girl read The Cursed Child in bed with a torch till past midnight. She has re-read this book over ten times since we bought it for her. J.K Rowling’s world has meant to much to her over the years, just as Enid Blyton formed my childhood joy and provided solace in tough times.
Outside, the weather is bleak and a wind blows hard, making the trees shake around the house. We are hoping for snow to fall in the Blue Mountains, despite the fact we are now in October. Snowfalls are still possible in early Spring when you live above the clouds.
It was vastly different weather conditions in January, 2014, when I sat by the river in Richmond, Tasmania, on a family holiday watching the golden sunlight and the shadows dapple and form patterns on the water.
As with several of my books, an image came to me as swans glided past. I was luxuriating in the peace of the convict-built bridge and village – a place so seemingly tranquil, but which contained shadows.
The scene that came to me was of a young man sitting by the river writing a note, confessing to a crime he believes he is guilty of. Two girls rowing a boat on the water sing ‘Buttons and Bows’ and suddenly the serenity of the sleepy Tasmanian hamlet is shattered when one of the girl’s oars snags on a floating body.
This was the beginning of The Secret Echoes, which I just finished this week. From the very start, I knew it would contain certain elements: the golden Tasmanian sunshine and mellow light, a bridge that harboured secrets, a supposed ghost that haunted the bridge, letters, a poison-pen writer, the death of the town’s most popular golden girl. Swans, secrets and shadows. I couldn’t wait to start writing to discover who the body was in the river and whether the boy confessing to the crimes was as guilty as he believed. The working title of the book was Sweetwater.
As the book progressed those elements remained but it took an unexpected journey. I always knew I wanted to set it in the 1950s, but a 1920s thread also felt strong and a few months into writing, a fairly minor character in the 1880s became increasingly insistent to be featured more. This put the book back about six months, as I had to put it aside to research 1800s Australia before I felt confident about being able to portray this headstrong character and her life and times.
My journal entry for August, 2014 records I had just begun the first draft.
I could not have conceived at that time how dramatically different my life would be from that day I began the opening scene. My family faced several major challenges: we moved house from the city to the country. In our city life we had to deal with bullying developers, bullying children (and their even worse bullying mothers) and a health diagnosis for one member of our family that was shattering.
But throughout the chaos, I kept returning to the book and although it took me a few months longer than planned, I was delighted to finish the final segment, Wattle Dreaming, this week of The Secret Echoes.
I hope it makes it way with confident strong legs out into the world and finds a readership. With the New Moon (the Black Moon) just having passed us, I made wishes and blessings for its journey. And I’m excited to begin the next book, which has been calling impatiently to me for years.
Love and Light,
From above the clouds,
Josephine
Carried away by the Current
The trees in the village are ablaze with Autumn colours. It’s like you’re in fairyland when the leaves fall around you. I walk everywhere on a scrunchy carpet of leaves.
Carloads of tourists arrive to photograph our streets. I relish feeling the dip in the seasons. We have farewelled daylight savings. The nights draw in faster and the days have a chilly bite.
Our neighbour informs us that there’s a local saying that winter arrives with Anzac Day. It appears to be true. I love Autumn – the transition season but it can also bring a melancholy with the change in light.
I’ve been living a hermit life (as much as possible with an eleven-year-old daughter) to complete my current book. My agent is really enthusiastic about the chapters she’s read. My husband, David thinks it’s the ‘best one yet’ – which is what every writer wants to hear. Technically, it’s been a challenge as I’m working with three time periods (the 1800s, 1920s and 1950). Thank you to readers who have written to me, or commented on my social media, saying how much they are looking forward to this book. The feedback means everything.
I would like to share this photograph I took in Sydney recently on an outing with my daughter to the Museum of Contemporary Art. This beautiful mer-child with the body of a child and the head of an ancient fish is called “To be carried away by the current, to be dissolved in the other.” The artist is Sangetta Sandrasegar.
The work is a comment on our changing relationship to the sea brought about by technology. Also, the disappearance of our marine-life and our move away from mythology and old sea-tales. I love her brooding power as she watches a bustling Sydney harbour and the passing clouds, unnoticed by the crowds below her. You can read more on this piece HERE. I share the artist’s thoughts on our increasing detachment from myths and nature.
I find it essential to my own balance to acknowledge seasons and moon cycles. When friends have commented on my passion for comparative religions and ritual, I think of Joseph Campbell’s quote that if you want to know what a society is like without its rituals – read the New York Times.
Here is a photo of a simple ritual my daughter and I did for the New Moon.
We attended our first Lithgow Ironfest which was a colour and enjoyable day with artisans, jousting, knights, battle re-enactments, steampunks and 1940s army nurses – an enjoyable contrast to the crowds and materialism of the annual Sydney Easter Show.
We’ve also been attending quite a few sessions at our favourite mountains cinema. Mount Vic Flicks is a traditional cinema experience plus the best hot soup in mugs. Once the manager even delayed putting the movie on to give patrons down the highway a chance to make the movie in time as the traffic was heavy. It’s these olde world courtesies that make our new mountain life such a pleasure.
I’ve also been reading a lot. I keep wanting to have time to write a post featuring the books I’ve read this year but with trying to finish my own book at the moment it’s been impossible. But it’s a long list with thrillers and mysteries comprising the bulk. I love staring up at the stars which blaze in a way unimagined in the city. It’s so easy to let go of the trivia and dust of everyday life when you view Saturn through the telescope.
Coral Dreaming
We are now back in Sydney, still reflecting over Heron Island’s turquoise sea and sky, and the ever-gliding shadows in the ocean of sharks, sting-rays and turtles.
Heron Island, one of the great natural wonders of the world, is a coral cay which began forming around 6000 years ago. Situated off the Queensland coast, Heron has been described by David Attenborough as one of his favourite places to see marine wildlife up close. The island is small; it takes about 20 minutes to walk it (double that time when we were with our ten-year-old daughter at night on our turtle hatchling expeditions). We chose Heron to retreat and recharge because there’s no technology there and we were all longing for a break from Wi-Fi and computer screens. Plus, it was turtle hatching time and who can resist baby turtles born in the wild?
I miss circumnavigating the island’s white sands. I loved being in that world of primary-coloured crayon blue sky and sea. If I close my eyes now and attempt to block out the traffic and the workmen’s constant drilling from the factories surrounding me, I can hear a faint lapping of water, and feel within me the elegant unexpected beauty of a turtle swimming past and the graceful otherworldly shapes of the stingrays in their exquisite ocean glide.
I have emerged like the little mermaid from Hans Christian Andersen’s tale from an enchanted underwater world of coral forests, exotic fish and – onshore – luxuriant green foliage that parasolled us overhead in a magnificent jungle. Heron Island is home to up to 100,000 birds. At night the shearwaters return from the sea and the calls to their waiting children sound like the eerie screech of restless, uneasy ghosts.
We wandered for five days in a tourist postcard of Australia, marvelling over this parallel tropical world as we swam with reef sharks and stingrays. We even saw a manta ray on the semi-submersible boat tour of the reef.
As Daisy and David snorkelled out trying to find sharks, I was paddling around knee deep trying to avoid them (the sharks). Then I realised I was surrounded by what looked like twenty fins. For years I’ve had a severe shark phobia, but once you’ve experienced them around you and realise these reef sharks are not interested in you as dinner, then you form a new respect towards these elegant and fascinating beings.
We cheered on baby turtles as they hatched, making their plucky and courageous dash to the ocean. Some sadly were snatched instantly by the waiting sharks, but others were taken by the current to hopefully travel the world before they miraculously return to their original hatching place.
Daisy loved the Junior Rangers programme and made good friends amongst the children there. They called themselves The Clan and bonded immediately over turtles hatching and snorkelling with sharks. Daisy is still thrilled she managed to snorkel with her new friends out to the shipwreck that serves as a breakwater.
Walking on the beach one night, my daughter cried out as a baby turtle fell from the sky at her feet, obviously dropped by a bird. We watched in awe as it managed to upend itself the correct way and continue its journey to the sea. My daughter christened that turtle Lucky and we vowed to return at the same time in 30 years to see if Lucky would return to her original hatching place.
It’s hard to believe that in the 1920s Heron Island was a turtle cannery and in the 1950s tourists rode the turtles for sport. Thankfully, turtle riding was outlawed circa 1960.
And so we are back in Sydney. The jackhammers are jarring as the workmen dismantle the shoe factory next door to make yet more flats and shops. The city seems a grotesque heavy charcoal drawing next to the primary-coloured island with its pristine air and breathtaking scenery.
I hope it is not too long before we make that journey over the sea to Heron Island and enjoy the island’s “Welcome” cocktail. I watched Heron disappear from the boat as we left, farewelling sadly that magical coral cay with its turquoise waters and sea life until it became a distant faint smudge on the horizon.
I could have sat on the sand forever watching the marine life circle the island, listening to the call of birds and staring into the shimmering dramatic blue that stretched forever. But I should feel lucky to have seen it at all.
It’s been sobering learning from the guides on Heron Island about how the impact of global warming and mankind’s impact has had a noticeably detrimental effect on the reef. We are all part of the same web and, as legendary marine biologist and oceanographer Sylvia Earle warned in the papers this week: “If you like to breathe, listen up, the message is to protect the ocean as if your life depends upon it, because it really does. No ocean, no life. We’re so concerned about the green movement, but without the ocean, there’s nothing there. No blue, no green.”
Art, Death and Secret Gardens
Hello, October is my birthday month, and in Australia, Spring is carolling the senses. I love the transitional times of nature seasons and Spring always feels optimistic and burgeoning with new possibilities and change. My family spent a garden-filled school holidays exploring not-so Secret Gardens in Sydney and the Blue Mountains. We have just introduced our daughter to the book and film of The Secret Garden, and we were looking for inspiration for our own Secret Garden.
We finally had a family day out at Wendy Whiteley’s magical garden at Lavender Bay. Wendy, grieving the tragic death of her only daughter Arkie, began landscaping the neglected plot of land in front of her Lavender Bay terrace.
In the process of working through her grief, Wendy created a tranquil sanctuary enjoyed by many today. The land which ran alongside the railway track and owned by the NSW Railway Corporation had been overlooked despite its jawdropping harbour views and proximity to Sydney’s Luna Park. In an early and inspiring example of guerrilla gardening, Wendy began the transformative process of creating an oasis where office-workers and families could recharge. A place with so much green energy that the screams from Luna Park doesn’t diminish its nurturing effect. New birdlife now visits the area thanks to the garden. Palm and fig trees jut out from a steep cliff which has been landscaped beautifully with rocks. There’s a special energy to this garden where it’s easy to imagine nature devas and fairies frolicking. With its superb views, and magical touches in the form of bells, hidden bird-feeders and Asian statues, it’s a serene spot to contemplate life, enjoy loved ones and soak up the best of Sydney. The ashes of Wendy’s husband, well-known artist Brett Whiteley, who died of a heroin overdose in 1992 and also the ashes of their daughter Arkie, are buried in the garden in a secret spot.
The garden has come to mean a lot to Sydneysiders. Wendy was a promising art student who later became famous as her husband’s muse, but her creativity and vision with her garden will make a lasting difference to the city of Sydney.
I’ve long been fascinated by Arkie Whiteley, who was beautiful, talented and spoken of very highly by everyone who connected with her. Only recently David and I watched her in Gallowglass, a Barbara Vine psychological thriller and thought how strong her performance was.
The other gardens I enjoyed visiting were at Leura in the Blue Mountains for the town’s annual garden festival. Which I shall continue in Part Two of this post.Thank you for visiting me. If you would like to keep up with me on social media, I am on Twitter, Facebook, Instagram and Pinterest. And please share this post if you know of anyone would enjoy it or my writing. Love and Light, Josephine xx ‘
The garden, the studio, friendships, somebody’s life, are all those things that keep you going. I don’t feel any great urge to actually paint again. I want to just go and be the mad old bag lady in the garden. I love the fact that Arkie participated in it a bit and loved it. Sometimes I suddenly realise I’m talking about her or Brett or anybody else in my life as though they’re still alive. And in a way they still are. And then you realise that they’re not there anymore, except in your memory. Or in your bones. In Arkie’s case, she’ll always be there. And in Brett’s case, he’ll always be there in part of me. You know? But in her case particularly.’ Wendy Whiteley on Australia Story
You can read more about Wendy Whiteley’s Lavender Bay garden on the following links below:
Wendy Whiteley transcript from Australia Story HERE
Interview with Peter Wilmot – Bohemian Rhapsody HERE
Fifties Fair
Designed by Harry Seidler for his parents, Rose and Max, Rose Seidler house in the 1950s must have looked as if it came from outer space. Positioned at the edge of the bush, its cube-like form was a sensation to a Sydney emerging from the depression and two world wars. But the decade’s optimism was impacting all the arts – including the housing industry. Harry Seidler was like all the modernists, looking to the future in his design. His vision excited the public as he overthrew all previous conventions concerning Australian architecture.
Even finding a builder prepared to work on such an innovative house was a challenge, not to mention that building materials were in short supply after World War II. But following a lengthy construction; the Seidlers moved into their new home in late 1950.
Over 17 years, Rose built rockeries, stone walls and she added plants and flowers, fruit trees and vegetable gardens. The vegetable garden produced copious amounts of vegetables which she pressed generously upon friends including Max Dupain, who would go home with great boxes full of fresh vegetables.
Today, Rose Seidler House is owned by the Historic Houses Trust and annually hosts the Fifties Fair which my family attended today with a friend.
We travelled to the fair in true vintage style via a genuine 1950s bus.
I loved marvelling over all the vintage frocks. Here are some photos from the parade.
Daisy and I entered the family group section.
But as soon as we spotted our competition – this amazing looking family – we knew we had lost this year. Hats off the mother of this family who spent weeks hand sewing their outfits.
Some of the frocks being judged.
Here’s the beautiful winner of the Ladies section.
Of course the Fifties Fair wouldn’t be complete without some great music. Here are the lads from Rusty Pinto’s Shotdown from Sugartown.
And some swing and jive cats and kittens.
And there’s always the cars too ooh and aah over.
Too soon, the Fifties Fair was over for another year.
Sorry Daisy, that’s not our car.
But here comes the bus to take us home.
And so we departed Rose Seidler House leaving that unique house in its isolated spectacular setting of Ku-ring-gai Chase National Park.
When they occupied Rose Seidler House, the Seidlers had to endure uninvited visitors who would queue outside to peer through the glass walls, awed by the house. It’s hard to imagine what they would have thought if they had a time capsule and could have seen what would be the destiny of their son’s design.
You can read more about Rose Seidler House and the Fifties Fair HERE.