Protection Owl and Keats for Autumn Equinox

 Because it’s World Poetry Day and the Autumn Equinox, here is one of my favourite poems and a protective, mystical Joshua Yeldham owl. I love this artist’s work, which captures the mysterious power and spiritual energy of the Australian bush.

 

To Autumn

John Keats

 

Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
      To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o’er-brimm’d their clammy cells.

Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drows’d with the fume of poppies, while thy hook
      Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.

Where are the songs of spring? Ay, Where are they?
Think not of them, thou hast thy music too,—
While barred clouds bloom the soft-dying day,
   And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
      Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.

Carried away by the Current

The trees in the village are ablaze with Autumn colours. It’s like you’re in fairyland when the leaves fall around you. I walk everywhere on a scrunchy carpet of leaves.

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Carloads of tourists arrive to photograph our streets.   I relish feeling the dip in the seasons. We have farewelled daylight savings. The nights draw in faster and the days have a chilly bite.

Our neighbour informs us that there’s a local saying that winter arrives with Anzac Day. It appears to be true.    I love Autumn – the transition season but it can also bring a melancholy with the change in light.

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I’ve been living a hermit life (as much as possible with an eleven-year-old daughter) to complete my current book.   My agent is really enthusiastic about the chapters she’s read. My husband, David thinks it’s the ‘best one yet’ – which is what every writer wants to hear. Technically, it’s been a challenge as I’m working with three time periods (the 1800s, 1920s and 1950).   Thank you to readers who have written to me, or commented on my social media, saying how much they are looking forward to this book. The feedback means everything.

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I would like to share this photograph I took in Sydney recently on an outing with my daughter to the Museum of Contemporary Art. This beautiful mer-child with the body of a child and the head of an ancient fish is called “To be carried away by the current, to be dissolved in the other.” The artist is Sangetta Sandrasegar.

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The work is a comment on our changing relationship to the sea brought about by technology. Also, the disappearance of our marine-life and our move away from mythology and old sea-tales. I love her brooding power as she watches a bustling Sydney harbour and the passing clouds, unnoticed by the crowds below her.  You can read more on this piece HERE.    I share the artist’s thoughts on our increasing detachment from myths and nature.

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I find it essential to my own balance to acknowledge seasons and moon cycles. When friends have commented on my passion for comparative religions and ritual, I think of Joseph Campbell’s quote that if you want to know what a society is like without its rituals – read the New York Times.

Here is a photo of a simple ritual my daughter and I did for the New Moon.

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We attended our first Lithgow Ironfest which was a colour and enjoyable day with artisans, jousting, knights, battle re-enactments, steampunks and 1940s army nurses – an enjoyable contrast to the crowds and materialism of the annual Sydney Easter Show.

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We’ve also been attending quite a few sessions at our favourite mountains cinema. Mount Vic Flicks is a traditional cinema experience plus the best hot soup in mugs. Once the manager even delayed putting the movie on to give patrons down the highway a chance to make the movie in time as the traffic was heavy. It’s these olde world courtesies that make our new mountain life such a pleasure.

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I’ve also been reading a lot. I keep wanting to have time to write a post featuring the books I’ve read this year but with trying to finish my own book at the moment it’s been impossible. But it’s a long list with thrillers and mysteries comprising the bulk.    I love staring up at the stars which blaze in a way unimagined in the city. It’s so easy to let go of the trivia and dust of everyday life when you view Saturn through the telescope.

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